Discover the hidden gems of the Euroculture programme! What does it feel like to study in Udine, Olomouc or Krakow? What are the differences and similarities of these universities? What turns them into amazing memories for Euroculture students?
Towards a new generation of cultural funding
by Marje Brütt
The cultural and creative sector is the third biggest employer in the European Union being only excelled by the construction and the food sectors. Besides their rather underestimated economic importance, culture and creativity build bridges between people and positively influence various areas, e.g. education, well-being or democracy. Consequently, culture contributes to the objectives of the European integration. Therefore, it is necessary to foster our cultural and political identity, to preserve our diversity and increase the intercultural dialogue as it is mentioned in Article 167 of the Treaty of Lisbon.
In order to give credit to the cultural sector and to support its further development, the European Union launched Creative Europe in 2014 as the EU’s funding programme for the cultural, creative and audiovisual sectors. As such it is in place for seven years (2014-2020) and consists of two sub-programmes that used to exist independently before: MEDIA and CULTURE. While MEDIA is dedicated to the audiovisual sector and helps promoting audiovisual works, CULTURE covers funding for all other cultural and creative areas including amongst others performing and visual arts, literature, music, street art and cultural heritage. In total, 1,46 billion Euros are foreseen for the whole programme meaning for the whole seven years and all participating countries. Related to the amount of participating countries, this amount can change throughout the years. In addition to the 28 EU Member States, interested European countries can associate with Creative Europe and thereby increase the programme’s budget. In the past years, the list of participating countries grew continuously up to 41 countries in 2018, including amongst others Tunisia, Georgia, Ukraine, Albania and Armenia, boosting the intercultural exchange in the European neighbourhood. Simultaneously, countries can also leave the group as it was the case with Turkey in autumn 2016 and could be happening again with the upcoming Brexit in 2019. Continue reading “The Future of Creative Europe”
By Guilherme Becker
After a cold and rainy winter in Southern Brazil, springtime has already come with some sunny but not so shiny weeks. As time runs towards the national election on October 7th, a land worldwide known for its clear sky and spectacular shores seems to be a bit cloudier and darker than usual. The feeling may come from the fact that things will remain the same for the next hundred years: stagnant, conservative, late, backwards and with its best minds leaving it behind. Is there anything worse than that? Well, maybe yes.
Democratic since 1985 and with direct elections since 1989, Brazil now faces a campaign full of hate. Violence has dropped off from the internet directly into the streets. Almost a month ago the right-wing candidate Jair Bolsonaro (PSL) was stabbed while campaigning in the midst of a crowd in Juiz de Fora, Minas Gerais, Southeast.
On March this year, violent mood was already in the air, when a bus transporting voters of the then candidate of centre-left-wing Luiz Inácio Lula da Silva (PT, Workers’ Party, former president from 2003 to 2010, sentenced to jail for corruption and thus forbidden to run under Brazilian law) was shot twice in the state of Paraná, in the South, without injuries.
The first impression is that all that hate speech that people used to flow freely on social media now has poured into reality. And that is not only worrying: it actually is a very frightening development to observe. Continue reading “Elections in Brazil: A Case of Political Polarisation”
An insight from the Italian powder keg
By Agnese Olmati
If migration has continuously been in the spotlight since the beginning of the refugee crisis, it is only during the past few months that Italy has really hit the headlines of European newspapers, despite having been one of the main doors to Europe for several decades.
It is no coincidence that this persistent interest for in Italian migration policies has been renewed since Interior Minister Matteo Salvini took office last June . His decision to shut ports to rescue boats carrying migrants has been hardly discussed and criticised, as well as his attacks to Maltese authorities and European leaders, accused of leaving Italy alone in front of the continuous arrivals of migrants that apparently no Italian government has never concretely tackled before.
Salvini’s determined response to the problem of illegal migration might seem very harsh and cold-hearted – and it actually is. But what Salvini is efficiently doing is simply making good on the promises made during the last electoral campaign. Being the leader of the right-wing and anti-immigrant party “League” (Lega, in Italian), it is no surprise that one of his most urgent goals is halting the flow of migrants into the country.
Actually, this is not only an Italian priority. Hungary has built a double layer barrier stretching for 155 kilometres along the Serbian border. France has rejected migrants at its border with Italy. Spain has built fences around the Moroccan cities of Ceuta and Melilla. Greece is at the core of the EU deal for the readmission of migrants coming from Turkey. Obviously, European countries have done their best to stop the arrival of migrants, but apparently more can be done – for example the EU could follow Trump’s advice and erect a wall across the Sahara Desert. Continue reading “Italy is Salvini or Salvini is Italy?”
By Charlotte Culine
Freshly arrived in Uppsala, my mind filled with the idealized Swedish role model, it is with great surprise that I learn that Sweden is now facing the rise of populism and Euroscepticism. Rumours has been the situation in Sweden was slowly decaying but I had not realized the extent this phenomenon had taken in this country often considered as the peace haven of Europe, until I arrived and witnessed the tensions surrounding the legislative elections. After France and the Front National, the UK and UKIP, Austria and the Freedom party of Austria, Italy and the Five Star Movement, it is now Sweden’s turn to deal with Jimmie Åkesson and the Sweden Democrats party. Indeed, the Swedish elections that occurred on the September 9 has for the first time seen the everlasting left-wing Social Democrats party’s monopoly on the government endangered by nationalism and anti-immigration ideologies.
The country has gradually seen the rise of populism ever since the beginning of the 2000’s, following the first arrivals of asylum seekers coming from Iraq. From then, the number of asylum seekers has constantly increased up until 2015 when it reached its peak with 162,877 asylum seekers[i] entering the kingdom, before the government changed the immigration procedure, making it tougher. Sweden, almost unharmed by the 2008 economic crisis, remained prosper and did not seem to be the most fertile environment for such a breakthrough from the nationalist factions.
To have a better understanding of the current political landscape and the point of view of a Swede on this situation, I had an interview with our teacher Lars Löfquist, doctor in Theology, director of studies in Uppsala for the Euroculture programme as well as two other programmes concerning Humanitarian Action. Starting from this, I was able to draw some observations that could explain how Sweden got to this point, what is the current situation and what is to expect in the coming weeks. Continue reading “The Swedish Elections: The End of the European Role Model?”
By Richard Blais
It was on August 28 that the French Minister of Ecology, Nicolas Hulot, announced that he resigned from office. This unexpected turn of events happened on a regular morning in the French political landscape as he was a guest at the morning show of France Inter, the nation’s most popular morning radio show (1). Without any warning, neither to his assistants nor to the President, Nicolas Hulot resigned, with tears in his eyes. This gesture managed to shock the journalists interviewing him, as well as the audience, since no one was expecting such a sincere answer, in one of the nation’s daily exercice of politics.
He justified this spontaneous announcement by the fact he “do[es] not want to lie to [him]self anymore“, since he believed his actions for the environment were undermined by the French political system, as they were often opposed by lobbies and the Macron government which prioritises economy. He stated that he was surprising himself to be “accomodating of baby steps while the global situation when the planet turns into a proofer deserves an assembly and a change of scale, of paradigm“. He claimed his decision concerned himself only and despite the fact he reiterated his sympathy for the government during his resignation, the aim of his gesture was to shock and provoke a reaction from Emmanuel Macron.
Hulot’s resignation took place in a context of growing discontentment towards the French president, who faced during the summer his first major scandal, the “Benalla case”, when Le Monde identified on a footage filmed during a protest a close councelman of the president, Alexandre Benalla, illegally dressed as a policeman and making use of violence towards protestors. Continue reading “Nicolas Hulot Resigns, Shedding Light on Lobbies’ Influence”
By Maeva Chargros
Besides reading all days long, summer holidays are also a perfect occasion to visit some museums… or enjoy some festivals. I had been willing to go to the Rencontres d’Arles for years: I finally managed to go there last month! This festival allows you to stroll through the streets of this centuries-old city while visiting various photography exhibitions. Art photography, photoreportage, experimental, contemporary art, light and sound, video artworks, you name it! If you’re a visual art enthusiast, Arles is definitely the place to go to during the summer! Here is a very small excerpt of what can be seen during this year’s edition (open until September 23!), as well as some comments about two other exhibitions I’ve been to, both in Villeneuve-lès-Avignon.
By Giorgia Spolverato
Is the risk of undergoing “inhuman and degrading treatments” enough to refuse the surrender of a prisoner from a European Union country to another?
The Court of Justice of the European Union (CJEU) tried to answer this question on the occasion of the joined cases Aranyosi and Căldăraru. Due to its functions as described in the Treaty on the Functioning of the European Union (TFEU), the CJEU was asked by the Higher Regional Court of Bremen (Germany) to give an interpretation of article 1, paragraph 3 of the European Arrest Warrant Framework Decision (EAW-FD), with a special focus on its compatibility with the prohibition of inhuman and degrading treatment included in the European Charter of Fundamental Rights. This measure was adopted in 2002 by the Council of the European Union to replace the outdated extradition procedure within the EU member states. What is relevant to us is that the new regulation tool is based on the principle of mutual recognition, which is one of the cornerstones of the European Union integration and cooperation process, especially in the fight against international crime. The principle entails a high level of mutual trust among EU member states. In the field of judicial co-operation in criminal matters, it basically means that a decision taken by an authority in one member state may be accepted as it is by another state. However, this supposed “blind trust” among the member states can cause complications in cases where the principle of mutual recognition clashes with other principles; as in the case at stake, the prohibition of inhuman and degrading treatment. Continue reading “European Arrest Warrant & Detention Conditions in EU Member States”
By Maeva Chargros
“It wasn’t built to be a viral campaign or a hashtag that is here today and forgotten tomorrow. It was a catchphrase to be used from survivor to survivor to let folks know that they were not alone and that a movement for radical healing was happening and possible.” (Huffington Post)
Me Too. Two words that seemed brand new last year (in 2017), when Twitter, Instagram, Facebook and many other (social) media were submerged with the now famous and symbolic ‘hashtag’. The most disturbing part of this ‘movement’ (or ‘phenomenon’ as it is sometimes called) might be its lack of “newness”. Unfortunately, there was nothing unusual, nothing unfamiliar about it… except maybe its scope, and of course its prolonged effects. So, where did this Me Too movement really originate from? What can be said about it, one year later? But most importantly, how can we respond to this movement within the academic world? Though such questions would definitely deserve a couple of books each (at least!), I decided to try and gather some answers. Continue reading “Me Too: A Temporary Social Media Phenomenon?”
By Anne-Roos Renkema
No country exists without its history. Or, perhaps equally as important, the specific way it deals with this history: its memory culture. These memory cultures tell us a lot about a specific society, as it tells us one important thing: how it chooses to deal with its past. Memory culture refers to all practices of memory and commemoration, as well as education about the past – and, especially, the darker pages of its history.
One such country is Sweden. Traditionally a militarily neutral country, its post-war memory culture was concerned with exactly that: its perceived neutrality, especially in Europe’s most traumatic experiences in the twentieth century. There has been a shift in Swedish memory culture since the late 1990s, with Swedish historians paying more attention to Sweden’s role in World War II, and its perceived lack of involvement in the conflict. The country now has its own institute for Holocaust commemoration, which uses the Holocaust as a starting point to discuss issues of tolerance, called ‘Forum för levande historia’ (Living History Forum). Why has Swedish memory changed so drastically since the 1990s, so many years after World War II? Continue reading “Collective Memory in Sweden: the Living History Forum”
By Linda Piersma
Ever since the EU was diagnosed with a so-called ‘democratic deficit’, it has attempted to close the gap between the European elite and its citizens. At first, its communication policies were directed at providing information and ‘educating’ the public about Europe. However, since the mid-2000s, the EU has committed itself (in theory at least) to the idea of a true European public sphere involving genuine dialogue with its citizens. Via its ‘Europe for Citizens Programme’ (EfCP), the EU now supports various external projects to stimulate this two-way relationship.
A case in point is ‘Debating Europe’, a website created by the organization Friends of Europe, which seeks to stimulate a direct conversation between European citizens and their supranational politicians by connecting them on their online platform. Several of its debates are funded by the EfCP and citizens can engage in these debates by sending in questions or posting comments. Debating Europe then takes these questions to certain ‘European leaders’ like MEPs, policy-makers, academic experts or NGOs to have them respond. However, does Debating Europe actually succeed in its objective of encouraging honest debate and bringing together European leaders and their citizens? How is the interactive process shaped by all these actors?
Although research on the European public sphere has come a long way since the original Habermasian understanding of the term, I argue that the interaction between all these different actors asks for an approach that integrates both bottom-up and top-down perspectives. Especially in current-day digital society, traditional media, political actors and citizens are all involved in the online “production, distribution, consumption and discussion of political content on issues of societal relevance.” By understanding the European public sphere as a network of online and offline meaning-making, it becomes possible to see the intersections between EU policies, transnational media discourses and citizens’ practices. Continue reading “Bridging the Gap between European Citizens & Brussels?”