Most of Europe’s popular music is made in either the United States or Great Britain, or is at least influenced greatly by American and British popular music, if only for the fact that a lot of popular music in non-English-speaking Europe is, nonetheless, sung in English. Some countries even try to battle this trend: the French government, for instance, passed a law in 1994 for a Francophone quarter where at least 40% of the music played on the radio must be sung in French.
Albert Meijer | email@example.com
Whether it’s Bach, Beyoncé or the Backstreet Boys, music is important in everyday life: to listen to, to dance to, to identify with, and to think about. Listening to a certain kind of music can be a great influence in the (sub) culture you identify with, be it punk, folk, or jazz.
Music transcends borders. Take hip hop, for example. With roots in African rhythms, Caribbean sound systems, call-and-response songs of slave workers, political speeches in the era of the American Civil Rights Movement and jazz, it has flown over from the American ghettoes to the poor and rich neighbourhoods of European cities, to the islands of Japan and even to the icy plains of Greenland, where Inuit rappers use hip hop as a medium of protest against Danish language hegemony.
While some politicians stress the importance of a pure, unified culture, the truth is that this ‘pure’ culture has been tainted by foreign influences for centuries. In the case of music, the strongest example is the Americanization and Anglicization of popular music. Most of Europe’s popular music is made in either the United States or Great Britain, or is at least influenced greatly by American and British popular music, if only for the fact that a lot of popular music in non-English-speaking Europe is, nonetheless, sung in English. Some countries even try to battle this trend: the French government, for instance, passed a law in 1994 for a Francophone quarter where at least 40% of the music played on the radio must be sung in French.
At The Euroculturer, we thought we would follow the French idea to reset the focus of popular music on European songs, although non-English language is not required to make the list. We asked several MA Euroculture students for their favourite European songs.
Polish student Beata Brozèk’s favourite European song is “To Ostatnia Niedziela”, by Mieczysław Fogg, meaning “This is the Last Sunday”. It’s a Polish tango from the 1930s, and is also known as ”The Suicide Tango” because of its morbid lyrics. “It was my grandparents’ favourite song. They would always listen to it during dances and dates. It was my favourite song when I was a child. Now that I am married, I understand more and more why it is so powerful”, she says. The song is about a person begging his/her loved one to give him/her the last Sunday before they will part forever. “In Poland, Sunday was the ultimate day for dates, where you would usually have coffee, a long walk, and maybe a kiss”, Beata tells us.
Sheila Pilli from Italy suggests a hip hop song with reggae-influences from Germany: “Dickes B” by Seeed. The song is about Berlin, which is evident in the video, in which the rappers and musicians walk through many Berlin hotspots. “When I went on a trip to Berlin, I met a guy in a club. We spent some time together, and he showed me the video for this song. I love the song and the video, it reminds me of my adventures in Berlin”, Sheila says.
Nokchachom Cheskhun, a student from Thailand who is better known as Pippa, chose her favourite song as “El Rey de Francia”, sung by Savinna Yannatou. If any of these songs are ‘truly European’, it is this one: the singer is Greek, the song is an 18th century traditional from Asia Minor, it is sung in Ladino (a Jewish language close to Spanish), and it is about the daughter of the King of France who dreams about love. “A Spanish friend hummed the tune, and I asked him what song it was. I looked it up and fell in love with the sweet melody and listened to it every day. It soothes my busy soul”, Pippa says. “It’s a dreamlike poem. I wish to sing this song one day”.
Swedish-Greek student George Tsarsitalidis also picks a Greek singer, Eleutheria Arvanitaki, as one of his favourites. “She is really famous in Greece, but also in other countries. She sings melancholic songs, and she is amazing”. Another favourite of his, well-known pop star Robyn, is from the country of his other nationality: Sweden. “Robyn is really famous in Sweden. I like the song ‘Dancing on My Own’, because it’s a good song to dance to”.
Albert Meijer, People’s Editor
Hailing from Osaka, Japan, Albert writes about the student body of the MA Euroculture programme. His academic interests lie in the fields of (sub)cultural studies, music science, sociology, and gender and queer studies. In his spare time, Albert likes writing and singing mediocre songs, walking through typhoons, making video blogs and getting stuck in difficult yoga positions.