The makings of a ‘Voldemort’: How J.K. Rowling lived long enough to become the Villain

By Fairuzah Atchulo Munaaya Mahama

A while ago, the hashtag #RIPJKRowling trended on Twitter. It was so enthralling that the social media had to clarify that the English author was indeed still alive and tweeting away. The hashtag was the Twitterverse’s response to Rowling’s new book: “Troubled blood”, published under her pseudonym Robert  Galbraith. The bone of contention was a serial killer character, who abducted and murdered women while adorned in female clothes, all to the scintillating tune of ‘never trust a man in a dress’. Like all things on the  internet, the hashtag drew both blood and hard lines among two camps, both vociferously defending their stance. 

Supporters of Rowling saw the hashtag as an attack on her freedom to speech and right to expression and opinion. After all, she was not the first author to pen a cross-dressing male serial killer. If so, we should also ‘cancel’ Psycho  and Silence of the Lamb! For them, the hashtag was simply another blowout from  ‘snowflakes’ yet again taking offence to their delicate sensibilities. 

Proponents of the hashtag, however, saw themselves as expressing their ire at a beloved author in what they considered the culmination of her transphobic views. To them, the hashtag symbolized the death of  Rowling’s reputation and  her place and adoration in their lives. The arguments of both parties prompt two critical questions relevant to today’s culture of ‘cancellation’ and political correctness: To tweet or not to tweet? Where does freedom of speech end and consequences begin? 

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