Lampedusa: A Tragedy with a Plot Twist

By Agnese Olmati

A small strip of land in the middle of the Mediterranean, 205 km off the Sicilian coast and 113 km away from Tunisia. Lampedusa, the southernmost point of Italy, has become popular in the recent years as the symbol of the humanitarian crisis in the Mediterranean. Today, even if its name is no longer on the front pages, the island is still at the core of migration flows through the Central Mediterranean route and still serves as lifebuoy for many. According to statistics, the death tolls and number of arrivals have decreased in the past couple of years, but people continue to land in Lampedusa – and die in its surrounding sea. Estimations show that 2016 was the deadliest year, with 4,587 dead or missing at sea[1] and 500 arriving in Italy by sea per day, compared to only 61 since June 2018 till today.

However, this is not a positive signal meaning that the Italian and European migration policies are giving the expected results. In fact, 19% of those who have tried to leave Africa last September died or went missing, a percentage that has never been registered before[2]. Past scenarios in which the island, with its 6,000 Lampedusani, was hosting 10,000 people on its small territory[3] are not likely to happen again. Lampedusa is not facing any serious problem in welcoming and hosting migrants in its hotspot, where their process for seeking international protection starts and where they normally spend just two days before being transferred to the mainland.
However, the migratory phenomenon is still profoundly affecting Lampedusa and those who live there. Different people and places around the isle can show what living on an island on the European border means, with all its peculiarities and paradoxes. Continue reading “Lampedusa: A Tragedy with a Plot Twist”

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From Hope to Labyrinth: Summer Exhibitions Review

By Maeva Chargros

Besides reading all days long, summer holidays are also a perfect occasion to visit some museums… or enjoy some festivals. I had been willing to go to the Rencontres d’Arles for years: I finally managed to go there last month! This festival allows you to stroll through the streets of this centuries-old city while visiting various photography exhibitions. Art photography, photoreportage, experimental, contemporary art, light and sound, video artworks, you name it! If you’re a visual art enthusiast, Arles is definitely the place to go to during the summer! Here is a very small excerpt of what can be seen during this year’s edition (open until September 23!), as well as some comments about two other exhibitions I’ve been to, both in Villeneuve-lès-Avignon.

DSC_2576 Continue reading “From Hope to Labyrinth: Summer Exhibitions Review”

Refugees.tv Challenges The Way We Report On Asylum-Seekers

 

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One of the refugees.tv, featuring the original makeshift camera and mic. Image by refugees.tv.

Lauren Rogers

People huddled together in makeshift shelters in Germany. Long lines of people waiting for food at a camp in Italy. Bright rubber boats filled to the brim with masses of people. The body of a Syrian refugee boy washed up on the shore of Greece. As familiar – albeit heartbreaking – as these images have become to us, a different set of images have become familiar to the thousands of refugees currently living half-lives across Europe. Cameramen lurking in the background, waiting for the perfect shot. Microphones shoved in people’s faces as they are walking across the continent. Western journalists, well-fed and over-paid, asking questions about hunger and suffering.

In Idomeni, a refugee camp located at the Greek border to FYR Macedonia, a group of young refugees who were fed up with this second set of images decided to do something about it. In a stroke of satirical genius, Syrian refugees Mustafa Alhamoud, Basel Yatakan and Mahmoud Abdalrahim began their own news station: Refugees.tv. While reporters combed the camps looking for palatable stories for Western audiences, Yatakan, Alhamoud, and Abdalrahim followed their lead, carrying a fake camera (a block of wood with a water bottle for a lens) and microphone (a plastic cup on a stick) and mimicking the grave tone of the journalists. Their interviews, recorded on cell phone cameras, went viral on Facebook and soon some generous fans donated real camera equipment to their cause. Continue reading “Refugees.tv Challenges The Way We Report On Asylum-Seekers”