COVID-19: Which foreseeable future for European art museums?

By Justine Le Floch

In the last decade, the digitization of culture and heritage has become more than a matter of heritage preservation. It has “radically [changed] cultural consumption and production patterns, obliging museums to rethink how they relate to their audiences as users of cultural content.” [1] In this way, museums were forced to open up to a wider range of visitors by endeavouring to broaden their community scope through new digital initiatives. 

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