No Sacrifice, No Victory: Building Chinese collective narratives

Whoever has won the US presidential elections, China is ready. The movie Sacrifice (金剛川 2020) tells us why.

by Wong Tsz (王子)

Background

The time was June 1953, the Korean War had been going on for three years, Chinese volunteers were still fighting tirelessly in a war they believed was necessary to defend their motherland. The mountains of Kumsong set the foreground of the last major battle of the war. In the valley of the mountains lies the Kumsong River (金剛川). Chinese engineers were ordered to build a bridge on the river to ensure the logistical support to the troops stationed in the mountain. The bridge was destroyed seven times by UN artillery and air raids and seven times it was rebuilt by brave Chinese volunteers. The movie Sacrifice – the original title of which is “Kumsong River” (金剛川) – narrates the perspectives of three soldiers at this scene.

The reasons behind China’s involvement in the Korean War were manifold: a communist alliance, the wider impact of Maoism, Chinese national security interests, economic incentives       from Soviet Russia to its eastern neighbors and the need to consolidate domestic political control in mainland China shortly after defeating the Nationalists. The official terminology in China for the Korean War is ‘抗美援朝’ – ’Resist US Aggression and Aid (North) Korea’-, a term that avoids explicitly mentioning of the term ‘war’: the Chinese were helping the Koreans while the Americans were the demon. This perspective would of course be interpreted very differently in South Korea and in the West. The Korean War was the first ‘hot’ war of the Cold War, and the distress of a communist expansion in East Asia was clear and imminent. For many years, this conflict  has been a very sensitive part of Chinese history – but things are changing.

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