By Fairuzah Atchulo Munaaya Mahama
On January 6th this year, the whole world got a front row seat to what happens when extremists are left unchecked and unfettered during a pandemic. Like watching a train crash, we watched riveted as a mob of angry white insurrectionists stormed the US Capitol, bringing the modern world’s oldest democracy to its knees.
The events of January 6th did not stand in isolation, if the rumblings of another March 4th insurrection was to be believed. Extremism is not a new phenomenon in the United States, yet somehow in all of its machinations, extremists had never stormed the Capitol building until the pandemic. So, what conclusions can be drawn here?
Continue reading “Walking the blurred lines between the three Ns of extremism and a pandemic”
By Justine Le Floch
In the last decade, the digitization of culture and heritage has become more than a matter of heritage preservation. It has “radically [changed] cultural consumption and production patterns, obliging museums to rethink how they relate to their audiences as users of cultural content.”  In this way, museums were forced to open up to a wider range of visitors by endeavouring to broaden their community scope through new digital initiatives.
Continue reading “COVID-19: Which foreseeable future for European art museums?”
Interview conducted by Johanna Pieper
Rhys Nugent (2019-2021), from the UK and Ireland, spent his first semester at the Georg-August-University of Göttingen and the second at Universidad de Deusto. He holds a Bachelor degree in Modern Languages and decided to apply for Euroculture to develop his interest in European affairs and culture while taking advantage of the social, professional and personal opportunities that formal education provides. He is currently residing in Bilbao, Spain and working as an intern at the European Citizen Action Service.
Euroculturer Magazine: What were your expectations when you applied/started the Euroculture MA and does it match the reality at the moment?
Rhys Nugent: I had expected that studying in multiple countries would challenge my preconceptions, improve my language skills and enable me to gain better insight into the cultural and social dimensions of Europe. I had also hoped to meet students from around the world, learn about new projects and opportunities and make memories to cherish alongside new friends around Europe. Needless to say that a global pandemic had not been at the forefront of my mind when applying for MA Euroculture but, alas, here we are.
Most of my expectations were met during my first two semesters of MA Euroculture. I was able to study in two fascinating countries that lie close to my heart. I managed to improve my German language skills in my first semester while refreshing my Spanish language skills in my second semester. I feel like I have a significantly better understanding of European affairs and politics, partly thanks to my degree and partly thanks to my extracurricular activities, and I have made new friendships which I value greatly from all corners of Europe and beyond. I am particularly grateful for the flexibility that both universities have provided me, whether it was their relaxed approach to class attendance or how generous they were regarding essay deadlines. This might seem an odd point to make but one of my greatest fears in returning to formal education was that my epilepsy might disrupt my studies and hinder me from making my deadlines – fortunately, both universities were incredibly compassionate when I faced issues. In this regard, my expectations have certainly been met.
EM: How has the pandemic affected your studies?
Continue reading “SOS IP! Rhys Nugent (2019-21, Göttingen – Deusto)”