Feminism Around The Globe: A Cooperation Between Artists, Experts, and Students from Strasbourg

Written by Eva Guillot & Ennio Mos

Strasbourg is known for its vibrant cultural life, and MA Euroculture students have had the opportunity to contribute to it by organizing a cultural event during their second semester. 

This is the case for Clara, Eliisa, Emma, Ennio and Eva, who put in place an art exhibition at the Librarie Le Tigre on “feminist movements around the globe.” The event seeks to reflect the cultural differences that mark various feminist movements, particularly in contrast to the French feminist movement, which is better known to the people of Strasbourg. To arouse the curiosity of the public and to make them aware of the transnational character of feminist struggles, this exhibition showcases the work of three local artists from Strasbourg: Leontine Soulier, Manon Saumand and Wonderbabette.

About the Artists 

Leontine Soulier is an illustrator and speaks of her history and the world around her. We see life, bodies, nature, and things that revolt or disturb her. With poetry and ever-present metaphor, she tries to finely instil ideas: to say a little, but not too much, to leave the reader free to read these images according to their own feelings, their experience, and their identity. For the exhibition, Leontine presented two illustrations in which she placed naked women’s bodies in curious positions, embedded in beautiful landscapes that remind us of the world abroad; without knowing exactly where this scenery takes place. It is hard to tell if those women are uncomfortable or peaceful: the artist wants to bring attention to the way that women need to constantly adapt to the world around them, wherever they go, keeping in mind their challenging position in a patriarchal society.

Manon Saumande is an artist and Master’s student in Plastic Arts at the University of Strasbourg. Her research subject is largely focused on the tensioning of the female body, as well as its strangeness. Particularly, Manon’s photographic work highlights the female nude through the self-portrait, using an intimate camera: the Polaroid. This kind of art can be considered controversial in some cultures as it challenges the boundaries of prudishness, and it exemplifies the variety of perceptions of and reactions to the female body in different cultural settings. It was the first time Manon participated in an art exhibition with her art, making this event a valuable opportunity for her to experience how it is to present self-made art to an audience, and an honour for the audience to experience her art for the first time.

Babette Rezicinier, aka Wonderbabette, is a multi-talented contemporary artist who conveys her candour and bubbly energy through her productions. She varies her modes of creations and never fails to surprise the public with her tender and witty way of interpreting the world and femininity. One of her installations is currently exhibited at the Librairie Le Tigre. In a tiny suitcase, you can find a screen that displays the injunctions of “good conduct” that used to shape women’s behaviour in relation to men. Whether the absurdity of those rules makes us laugh or leaves us sour, it is a relief to see that they have disappeared today; much credit and thanks to the work of feminist movements over the years.

The Exhibition Launch

On Friday June 3rd, 2022, two speakers were invited to the opening event of this exhibition and shared their expertise on the theme of transnational feminism with the public. The first speaker of the evening was Claudia Lam, a representative of the Council of Europe. With her experience as Deputy to the Director at the Office of the Commissioner for Human Rights, she talked about the approach of the Council of Europe in terms of safeguarding women’s rights and promoting gender equality. By explaining complex concepts, such as the Istanbul Convention in rather general terms, she made her speech accessible for a wide audience to absorb and share. Lam concluded her talk by stressing the importance of intersectionality: the recognition that each individual has unique life experiences, and that the intersections of race and class, for example, with sex and gender must be taken into account when discussing discrimination and feminism. 

The second speaker at the exhibition opening was Yvette Marcela Garcia. This expert is a cultural worker in the associative sector, has a doctorate in sociology without a post, is a lecturer at the University of Strasbourg, and a researcher associated with the Lincs Laboratory. Her research focuses on the sociology of social relations, feminist studies and the sociology of migrations. As a Franco-Chilean child of exile, she is interested in feminism in Latin America, especially in Chile. During the opening evening, Garcia gave an inspiring overview of the evolution of feminist movements in Chile, how they influenced and were influenced by other movements in Latin America. The point was to explore connecting cultures, and it was interesting to see that while feminism all over the world struggles with the same issues,  there are still regional or cultural differences. 

This event has shown to be a mixture of two worlds where art and expertise came together. Even though both disciplines do not per definition have the same target group as audience, their combination has been proven a valuable opportunity to increase the number of interested people. Whether a message is conferred through paint, photos, installations, or speeches, at the end of the day it is about reaching people the best way we can – and a multidisciplinary approach can help us do so. Therefore, we encourage everyone to think about how art, music, theatre, literature, speech, and all other sorts of cultural activities can be combined to strengthen any message worth spreading.  

This exhibition on feminism around the globe was on display from June 3rd until June 17th, 2022 at Librarie Le Tigre.


Pictures credit: Costanza Bossi