The European integration began as an economic cooperation that evolved into a political entity after the foundation of the European Union, a sui generis organizationthat has developed into a new “type of political system by evolving from a horizontal system of interstate cooperation into a vertical and multi-layered policy-making polity.”  In this sense, traditional theories, such as federalism, confederalism, functionalism, neo-functionalism, intergovernmentalism or supranationalism, cannot be used to fully explain nor improve it.
Disclaimer: this article was written on March 18th, 2020. Due to the instability of the situation, some of the information it contains might be subject to changes.
A lot of people were expecting it, and it finally happened: the world we live in has been challenged. Not the way we imagined it, not in the circumstances we expected, but it did. Europe is now facing one of its major crises since the day the European Union was created. And all the flaws that we knew that existed blew up in our faces. The demography of an old continent getting older and older, the weariness of our welfare states system, the instability of our financial organizations, the limits of a space without borders and the emergence of nationalism have now all been crystalized by a microscopic organism. The recent Covid-19 outbreak and confinement measures will give us plenty of time to reflect on the consequences it will have on our societies, especially in Europe. Indeed, this virus is almost harmless for the majority of the population, but can be very harmful for the elderly, for instance. In 2016, one EU citizen out of five was over the age of 65. This is why the virus poses Europe an immense challenge today. But what about tomorrow? What will be the consequences of this crisis for the EU? Continue reading “Covid-19: how will Europe get back up?”→
My views on Europe and the widely-discussed concept of “Europeanness” depend very much on how I perceive and process the world surrounding me. Building up our own Europe comes with a responsibility, as it influences not only our personal but the global perception of Europe as a whole.
The variety in creating one’s own Europe, I believe, is very much connected to a personal, intercultural and emotional development. The concept of ‘the Other’ or ‘Us’ plays a crucial role in this development, which is very much related to the types of schooling and change of residencies throughout one’s life.
“The variety in creating one’s own Europe is very much connected to a personal, intercultural and emotional development…”
How does all this add up to create a personalised perspective of Europe and how can these perspectives be explained? How are the latter being formed and why? The place where we live, regardless of our family’s views on politics, religion or sexuality, already provides us with a sense of belonging, be it positive or negative, which becomes part of our self-definition and a basis for differentiation. To decide what to do with this ‘default setting’ is our own choice, and throughout time, as our lives outgrow local or national borders, locality becomes a fluid conception we can easily control. Continue reading “The Question of Constructing Our Personal Europe”→
The Museum of European Cultures emerged in 1999 from the Museum of Folklore and the European section of the Museum of Ethnology. The collection counts around 250,000 objects. Its small exhibition can be seen as an introduction to European cultures for new MA Euroculture students or as a revision for “Euroculturalists”.
Does European identity exist? The question has come up thousands of times during the MA Euroculture Program, but maybe only a few people know that there is a museum dedicated to it. I am not talking about the Parlamentarium, the Visitors’ Centre of the European Parliament inaugurated in Brussels which presents different exhibitions on two topics, EU institutions and EU integration, but about the Museum of European Cultures in Berlin. The latter is an ethnographic museum, which is part of the Dahlem Museums, and thus of the National Museums in Berlin. The Museum of European Cultures emerged in 1999 from the Museum of Folklore and the European section of the Museum of Ethnology. The collection counts around 250,000 objects. Its small exhibition can be seen as an introduction to European cultures for new MA Euroculture students or as a revision for “Euroculturalists”.
The itinerary of the permanent collection “Culture Contacts. Living in Europe” indeed explores the cultural contactsand cultural diversity from the nineteenth century until today. A Venetian gondola from 1910 symbolically leads the way. It represents trade, migration, travel, and cultural identity. The exhibition begins with the theme of “migration”. The Earth is described with the words of the German historian Karl Schlögel as a “planet of nomads”. A big plastic Doner Kebab, dish introduced in the 1970s by a former Turkish “Guestworker”, is taken as symbol of cultural contacts through food. Borders: What do they stand for? What is their meaning?
“The Earth is described as a planet of nomads and a big plastic Doner Kebab is taken as symbol of cultural contacts through food…”
Another section is dedicated to cultural localisation and folklore. Typical textiles from Spain, Czech Republic and Greece are exhibited. But also music such as the traditional songs from Sardinia can be heard. Besides the “Gondola” another means of transportation – the beautiful hand decorated “Carretto Siciliano” – a Sicilian cart, stands there. Furthermore, funny cartoons show the stereotypes of all the different nationalities in Europe. The exhibition also warns about the phenomena of populism and conflicts.
On the wall the photographs of the German artist Sabine Von Bassewitz, part of her collection “Unisono”, show the gatherings of different kinds of people with the same passion, standpoint or affiliation, thus exploring the meaning of community. Communities are in fact the kernel for cultural production and cultural interaction. A similar exhibition on communities could be found at the Museum of Cultures of Basel, Switzerland. Another artist, the Berlin fashion designer Stephan Hann, investigates the issue of transnationalism. He presents a particular dress named “Europakleid”, which is made of pictures, maps, textiles, and items of different origins in Europe.
“Communities are in fact the kernel for cultural production and cultural interaction…”
The Museum of European Cultures also dedicates a section to religion, in particular focusing on Christianity and Islam. It exhibits Nativity scenes from Poland, France, Italy, and Germany along with votive paintings, but also Ramadan calendars. The interactions between Muslims and Christians are highlighted. The last room is dedicated to the huge mechanical Nativity scene from the Erzgebirge.
Through a scientific lens the permanent exhibition presents different items and topics, and prepares the table for discussion. On 2nd August was the inauguration of the temporary exhibition “I’m not Afraid of Anything”, which comprises ofone hundred portraits of European youths from Portugal, Moldova, Romania, Italy, Iceland, Germany and the United Kingdom, accompanied by interviews that were realised by Edgar Zippel. What are their dreams? What are their fears? Are they the same as yours?
“You might find inspiration for your IP paper, Master’s Thesis or a topic for an interesting talk with friends…”
If you are a Euroculturalist, you probably won’t remain astonished by the exhibition but it is still worth it. Do as I did: go there with another MA Euroculture colleague or maybe a friend outside of the Euroculture-bubble;maybe you will find inspiration for your IP paper, Master Thesis or just for an interesting talk that you could lead with a friend who does not know anything about it. The museum poses questions. So what is your opinion about European identity?
Museum of European Cultures
Student price 4 Euro
U-Bahn U3 (Dahlem-Dorf), Berlin
Bianca Rubino, Exhibition Editor
Bianca is Italian with Swiss roots. She studied BA Humanities for the study of Culture in Modena, Italy, and went on Erasmus to Malmö, Sweden. She studied in the University of Groningen and the University of Strasbourg as part of her MA Euroculture Programme. She did an internship at Interarts, based in Barcelona, Spain, in the field of cultural project management and cultural policy. Currently, she is participating in European Voluntary Service (EVS) Programme in Romania. Her interests are anthropology, sociology, artistic and cultural life and institutions, cultural management and policy, and many more. She has the smallest feet a girl ever had.