Maeva Berghmans went through the IP process almost 4 years ago. Currently studying her 3rd year of Ph.D. at Palacký University, she speaks about the IP and the IP paper writing experience. Maeva comes from France and studied a BA in Nordic Studies at the University of Caen, France, with an Erasmus in Tartu, Estonia. After completing the Euroculture programme (2017-2019, Olomouc – Krakow), she is currently specializing in Czech History of the 19th and 20th centuries. She also carries out mentorship sessions for Euroculture students at Palacký University.
In this edition of the Euroculture City Guides, Hui-Yu (Joyce) Weng (Taiwanese), who recently finished her second semester at the University of Göttingen, will tell you all about her experiences while living in Olomouc, Czech Republic, where she attended PalackýUniversity during her first semester.
The City Guide Project is led by Paola Gosio and Felix Lengers
Euroculturer Magazine (EM): Why did you choose to study and live in this particular city?
Hui-Yu Weng (HW): Olomouc seemed like a perfect choice for me. The cost of living is low, and although it is a small student city, it has everything one needs and is particularly rich in history and culture. In 2019, The New York Times described Olomouc as a great alternative to Prague because of its similar abundance of historical sites, vibrant student life, and yet, relatively few tourists! As someone on a budget but still wanting to make the most of studying abroad, I knew I would certainly enjoy living and studying in Olomouc.
EM: What are the aspects you appreciate the most about the city and which ones are those that you like less?
HW: I like the ubiquity of Gothic and Baroque architecture in the city of Olomouc. As an ecclesiastical metropolis and former capital city of Moravia (one of the three historical Czech lands), a chapel, church, or cathedral can be found almost everywhere in the city. Besides numerous historical sites, Olomouc also offers artistic vibes with its wide variety of street art. From large murals overlooking pedestrians to small graffiti drawings filling up a mini-tunnel called Lomená Gallery, the city’s creative arts never fail to bring a smile to my face. It is also important to mention that Olomouc is very well connected to other major cities. It only takes about 1 hour by bus to Brno, 2 hours by train to Prague, 3.5 hours by train to Vienna or Bratislava, and 4.5 hours by train to Kraków.
Choosing, starting, and managing a project often are daunting tasks. The Euroculturer conducted a series of short interviews to showcase some of the many projects Euroculture students came up with in the Eurocompetence II course. These interviews were designed to give current and future students an idea of what has already been done and to learn from previous experience.
We asked each student the same three questions: What was your Eurocompetence II project? Did you put it into practice? How was your experience?Here are their testimonials:
Arianna Rizzi – Groningen – 2018 – EU4Groningen
My Eurocompetence II project was named EU4Groningen, an initiative aimed at spreading EU literacy and raising awareness on what the EU does for the residents of Groningen, with the final aim of motivating the locals to go and vote in the European Parliament’s elections of 2019.
The project, which received funding from Europe Direct, mainly consisted of a digital communication campaign – on Instagram and Facebook – and a physical event in the context of Groningen’s European Village during the Liberation Day Festival.
EU4Groningen was my first, true project management experience – little did I know that I would end up working in this domain! Anyways, from planning through implementation to evaluation, the teamwork experience I had within EU4Groningen taught me that negotiation is fundamental to make an idea come true in a reasonable (and feasible) way: project management is indeed a very democratic process.
Thinking back at Eurocompetence II at my second university, I am glad that our teachers invested so much time in detailing every step of how to kickstart, manage and evaluate a project. I have quite a lot of lessons-learned that I still bear in mind and try to apply in my job as a soon-to-be Project Manager.
Richard Blais (2018-2020) spent his first semester in Olomouc and continued his Euroculture studies in Groningen. He applied for the master because he wanted to have the opportunity to travel throughout Europe while learning more about European sciences. Therefore, Euroculture seemed to be the perfect fit for this ambition. During the third semester, Richard went abroad to Edmonton (Canada) to do an internship at the Alliance française. He graduated from Euroculture in August 2020 and is currently working as an intern in Brussels at the European Association for the Storage of Energy.
Euroculturer Magazine: What were your expectations when you applied for the Euroculture MA and did it match the reality? Richard Blais: I was expecting more rigid classes based on my own personal experience in the French university system! I was very pleasantly surprised by the “serious-yet-laidback” atmosphere of this degree which corresponds well to the students—autonomous young travelling adults.
Elena Subashka (2018-2020) is Bulgarian and studied Euroculture at the University of Groningen, the Netherlands, and the Jagiellonian University in Krakow, Poland. Before starting the MA, she earned a Bachelor’s Degree in Hungarian Studies at the Sofia University in Bulgaria. She applied for Euroculture because of its interdisciplinary approach and the opportunity to study in different European countries. Furthermore, she was excited about the possibility to do the professional track and worked as an intern at the European Movement International in Brussels during the third semester. Elena recently graduated from Euroculture and is currently doing a marketing internship in Emmen, the Netherlands.
EM: What were your expectations when you applied/started the Euroculture MA and does it match the reality at the moment? ES: I was very excited to go abroad and to experience studying in different countries. I expected differences in the university systems which turned out to be true. The first semester at University of Groningen was the busiest and the most difficult in relation to studying, preparing for classes, group assignments, etc. To be honest, I did not know what to expect prior to starting the programme, maybe I only wanted to be happy with my choice and to learn a lot of new things. Two years later, as I have just finished Euroculture I can say I don’t regret my choice and it was an amazing experience.
EM: Can you tell us more about your IP paper and the overall topic of the IP 2019/2020? How did you manage to find a suitable topic? ES: The topic of the IP 2019 was “Inequality & Solidarity”. This includes different aspects – social, economic, political inequality and solidarity. My paper was on the topic of gender inequality and more specifically- gender inequality in high management positions in the fashion industry. In my paper I compared two fashion brands, Stella McCartney and the conglomerate LVMH, their attempts at introducing a gender-balanced work environment and how they help women progress in the working hierarchy. Finding a topic was not an easy task. The “Methodology Seminar” during the second semester in Krakow played a big role in helping me choose a suitable topic. We spent a lot of time discussing ideas and the professors really helped me narrow down my topic.
The second interview of the section “SOS Thesis: Alumni4Students” presents Maeva Chargros, who tells us about her Euroculture experience and gives students an insight into her thesis. Maeva is French and was in the 2017-2019 Euroculture cohort. Before that, she did a BA in Nordic Studies at the University of Caen, France, with an Erasmus in Tartu, Estonia. Before enrolling in the MA, she worked for start-ups and NGOs all over Europe, gaining some experience in the field of digital communications. Maeva started her Euroculture path at the Palacký University in Olomouc, Czech Republic, moving to the Jagiellonian University in Krakow, Poland, for her second semester. She was so impressed by the atmosphere of the small Czech town that she decided to spend her third semester (Research Track) and eventually begin a PhD there. When asked about the reasons that led her to apply for Euroculture, she simply said that she wanted to get a MA in something related to European Studies, which could lead her to a job in political communication.
Euroculturer Magazine: How would you describe Euroculture to future students? And what does it represent to you?
Maeva Chargros: Euroculture is a cosy bubble – but in a good way. It does not cut you off from the rest of the world, instead, it is quite the opposite. It facilitates your peregrinations, it helps you figure out what you want your next steps to be, and everything is done so that once the bubble pops open, you land on your two feet from a safe height. So, it’s a cosy bubble that turns you into a cat… Sort of…
Richard Blais (2018-2020) is a French Euroculture student who spent his first semester in Olomouc, Czech Republic and his second semester in Groningen, Netherlands. He did a double bachelor degree in History and English Civilisation, language and literature in Paris, France. Upon graduating, he did a one-year civic service at a house of Europe in Bordeaux, France. He applied for the Euroculture Master because of his interest in social sciences and the international aspect of the degree. For his third semester, he did an internship at the Alliance Française of Edmonton, Canada.
Euroculturer Magazine: What were your expectations when you started the Euroculture MA and does it match the reality at the moment?
Richard Blais: I imagined myself moving a lot. And I was not disappointed! Moving around Europe implied a lot of expectations of course, like meeting new people and discovering new cultures. And as cliché and corny as it sounds, it really widened my own horizons! Doing the Euroculture degree helped me to meet a wide variety of students who had the same tastes for discussions, political issues, international culture, arts, and so on. It helped me gaining a more international profile which is probably what I sought when I enrolled in the programme.
The story is known – some would even say simple: on November 17, 1989, a large demonstration in Prague triggered the Velvet Revolution, that would peacefully end four decades of Communist rule in Czechoslovakia; Václav Havel would be the President of the new federal Republic, which would split between the Czech and Slovak Republics in 1993. Then, both countries would join NATO and the European Union, keeping close diplomatic ties. Czechia would constantly be confused with Chechnya, and Slovak diplomats in Brussels would have to organise regular mail-swapping meetings with their Slovenian counterparts. Meanwhile, everyone would keep talking about Czechoslovakia as if these two countries only made sense when together.
Nonetheless, if you sit down and listen to Czechs and Slovaks, you realise the story is not that simple: for them, the Velvet Revolution cannot be reduced to just one demonstration, one election, and one painful breakup.
Therefore, instead of a banal memo about various events organised around the Czech Republic to celebrate the 30th anniversary of this major historical milestone, here is an attempt to help international readers to see the events from a Czech, or actually Czechoslovak perspective, through the eyes of people who actually saw the events as they happened – on TV, in the newspapers, or on the main square of their city or village. I interviewed three historians, who were in very different locations in November 1989. They were between 7 and 19 years old, thus each gives a very different perspective on the events that unfolded thirty years ago. All of them are now part of the Euroculture team at the Department of History of Palacký University in Olomouc. You will find more information about them at the end of this article; their age at the time of the Velvet Revolution is given next to their names in the article. Continue reading “1989-2019: “You will be the generation to suffer the consequences of these changes.””→
Maeva Chargros is a French Euroculture student who spent her first and second semesters in Olomouc, Czech Republic and Krakow, Poland, respectively. Having previously studied within programs that take on a multidisciplinary approach, Maeva decided to apply for Euroculture as it offered her the opportunity to dive back into literature, history, and languages (as she did in her BA) without losing the interdisciplinary approach. She has a background in Nordic Studies, and professional experience in digital communications as well as public relations (PR). For her third semester, she went back to Olomouc to do the research track.
Thanks Maeva for taking the time to share your experience!
1. Why did you decide to do research?
Honestly, I just wanted to keep digging into my thesis topic. I was foolish enough to pick a topic I knew barely nothing about, in a field I was not exactly familiar with, so I realised I had to work on my background knowledge as much as I could, and the research track was the best option for this. Also, since I’ve already worked, I did not feel like I would be learning anything tremendously stimulating – quite the opposite of a research track where I’d be learning a lot every day on various topics. Perhaps the comfort of going back to Olomouc – a city I really enjoy to live in – was also part of my choice, but shhh, it’s not supposed to be that important, right…?
Applying for a master programme is not an easy task; applying for an Erasmus Mundus Master’s programme such as Euroculture, offering eight universities in eight different countries… can be even more complicated. Indeed, during the application process, candidates have to pick three universities they are interested in for the first semester. Of course, the courses taught there, as well as the specialisations of each university or the monthly budget are important; but sometimes, one needs something more personal to be convinced.
This first edition of universities’ presentations is focusing on what we could call the “hidden gems” of Euroculture: the universities you might not think of at first, some cities you could not even place on a map before going there, but they turn out to be life-changing decisions you’ll never regret.
Creativity: a keyword for all three cities
Why would you study in Central Europe? Life there is affordable (or even cheap), with many options to travel. This is what every Erasmus student answers during their first week here. A few weeks later, they still consider the place to be affordable and practical for trips, but the list of good reasons to study here extended slightly. The very dynamic cultural life, for instance, shows up suddenly. Continue reading “Euroculture: The Hidden Gems”→