Get out of this jail!

By Guilherme Becker

Berlin, August, 2006. After two weeks traveling from London – where I used to live at that time -, Paris, Brussels and Amsterdam, I had arrived in one of the most fascinating cities of the world – at least in my imaginary, which could easily be confirmed later. Summer breeze was blowing through the cafes and bars of Prenzlauer Berg. Kastanienallee was the perfect picture of how Berliners could enjoy their lives on a Saturday afternoon, with groups of friends and families hanging out and experiencing all types of foods and drinks, listening to different kinds of music and appreciating the sunny weather. All way down to Alexanderplatz distinct generations were sitting together in front of yellow, blue, green and red buildings talking about life and keeping problems completely away. Alone, I observed that and could barely believe that only a little more than 15 years earlier that part of the city was not that colourful and had nothing similar to that.

On the other side, Mitte was also full of people on the pavements observing passersby. Unter den Linden was like an anthill made by tourists that after walking the whole day could finally have some rest in the “Biergarten(s)” around. The city was beautiful, alive and tender following a World Cup that Germany had hosted less than a month ago and only a few days after the Swedish trio Peter, Bjorn and Jon had launched the classic “Young Folks”. You could feel the tenderness in the air. You could feel the spirit of happiness flowing freely in such a vibrant and great atmosphere. It was simply wonderful.

I knew, though, that at least in one of the seven days that was going to stay there I needed to take some time to cross the city and leave all that happiness and good vibrations behind. It would not be easy or pleasant, but I needed to do it. The goal was tough: Sachsenhausen.

Continue reading “Get out of this jail!”

The Rebirth of European TV

By Nemanja Milosevic

For a very long time the original programming of European TV stations had suffered from the dominance of US made TV content, and the discrepancy was mostly caused by the differences in budget. For a very long time, TV shows were seen as being of lesser quality in comparison to movies, and more successful actors would usually avoid appearing on a regular TV show. That recently changed, as several TV shows from the US got acclaim from critics and general praise by the audience, thus the status of TV shows slowly evolved. There has been more creativity involved in making a show and at the same time the level of production and artistic direction of some TV shows improved so much that they could compare to those of movies that usually appear in film festivals. There have been several established movie directors who directed shows and some award-winning actresses and actors who had major roles in some shows (the latest example being Nicole Kidman and Meryl Streep in Big Little Lies).

While all this was happening in the US, Europe started catching up, now that TV shows had a better reputation and an established market among a much wider audience. The European television program was traditionally based on imported content (films and sit-coms), adapted reality and game shows; and the only difference would be whether this content would be presented in a dubbed or original version.[1] The original programming was usually national, it would rarely cross borders and every country had its own type of shows they specialized in. Except for football matches and reality show adaptions (a reality show Big Brother started in the Netherlands, but has experienced a worldwide success, as the rights for the production of the show were sold in many other countries, resulting in the show airing in almost every European country), there was no other content that was ‘pan-European’. That recently changed with the emergence of streaming platforms, such as Netflix and Amazon Prime. These services bought rights for many European original shows and for the first time made them available with subtitles in English and other languages, all across the globe. Continue reading “The Rebirth of European TV”

The Museum of European Cultures: A Must-Visit for New MA Euroculture students

The Museum of European Cultures emerged in 1999 from the Museum of Folklore and the European section of the Museum of Ethnology. The collection counts around 250,000 objects. Its small exhibition can be seen as an introduction to European cultures for new MA Euroculture students or as a revision for “Euroculturalists”.

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Bianca Rubino│

Does European identity exist? The question has come up thousands of times during the MA Euroculture Program, but maybe only a few people know that there is a museum dedicated to it. I am not talking about the Parlamentarium, the Visitors’ Centre of the European Parliament inaugurated in Brussels which presents different exhibitions on two topics, EU institutions and EU integration, but about the Museum of European Cultures in Berlin. The latter is an ethnographic museum, which is part of the Dahlem Museums, and thus of the National Museums in Berlin. The Museum of European Cultures emerged in 1999 from the Museum of Folklore and the European section of the Museum of Ethnology. The collection counts around 250,000 objects. Its small exhibition can be seen as an introduction to European cultures for new MA Euroculture students or as a revision for “Euroculturalists”.

The itinerary of the permanent collection “Culture Contacts. Living in Europe” indeed explores the cultural contactsand cultural diversity from the nineteenth century until today. A Venetian gondola from 1910 symbolically leads the way. It represents trade, migration, travel, and cultural identity. The exhibition begins with the theme of “migration”. The Earth is described with the words of the German historian Karl Schlögel as a “planet of nomads”. A big plastic Doner Kebab, dish introduced in the 1970s by a former Turkish “Guestworker”, is taken as symbol of cultural contacts through food. Borders: What do they stand for? What is their meaning?

“The Earth is described as a planet of nomads and a big plastic Doner Kebab is taken as symbol of cultural contacts through food…”

Another section is dedicated to cultural localisation and folklore. Typical textiles from Spain, Czech Republic and Greece are exhibited. But also music such as the traditional songs from Sardinia can be heard. Besides the “Gondola” another means of transportation – the beautiful hand decorated “Carretto Siciliano” – a Sicilian cart, stands there. Furthermore, funny cartoons show the stereotypes of all the different nationalities in Europe. The exhibition also warns about the phenomena of populism and conflicts.

On the wall the photographs of the German artist Sabine Von Bassewitz, part of her collection “Unisono”, show the gatherings of different kinds of people with the same passion, standpoint or affiliation, thus exploring the meaning of community. Communities are in fact the kernel for cultural production and cultural interaction. A similar exhibition on communities could be found at the Museum of Cultures of Basel, Switzerland. Another artist, the Berlin fashion designer Stephan Hann, investigates the issue of transnationalism. He presents a particular dress named “Europakleid”, which is made of pictures, maps, textiles, and items of different origins in Europe.

“Communities are in fact the kernel for cultural production and cultural interaction…”

The Museum of European Cultures also dedicates a section to religion, in particular focusing on Christianity and Islam. It exhibits Nativity scenes from Poland, France, Italy, and Germany along with votive paintings, but also Ramadan calendars. The interactions between Muslims and Christians are highlighted. The last room is dedicated to the huge mechanical Nativity scene from the Erzgebirge.

Through a scientific lens the permanent exhibition presents different items and topics, and prepares the table for discussion. On 2nd August was the inauguration of the temporary exhibition “I’m not Afraid of Anything”, which comprises ofone hundred portraits of European youths from Portugal, Moldova, Romania, Italy, Iceland, Germany and the United Kingdom, accompanied by interviews that were realised by Edgar Zippel. What are their dreams? What are their fears? Are they the same as yours?

“You might find inspiration for your IP paper, Master’s Thesis or a topic for an interesting talk with friends…”

If you are a Euroculturalist, you probably won’t remain astonished by the exhibition but it is still worth it. Do as I did: go there with another MA Euroculture colleague or maybe a friend outside of the Euroculture-bubble;maybe you will find inspiration for your IP paper, Master Thesis or just for an interesting talk that you could lead with a friend who does not know anything about it. The museum poses questions. So what is your opinion about European identity?

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Museum of European Cultures

Student price 4 Euro

U-Bahn U3 (Dahlem-Dorf), Berlin

BiancaBianca RubinoExhibition Editor

Bianca is Italian with Swiss roots. She studied BA Humanities for the study of Culture in Modena, Italy, and went on Erasmus to Malmö, Sweden. She studied in the University of Groningen and the University of Strasbourg as part of her MA Euroculture Programme. She did an internship at Interarts, based in Barcelona, Spain, in the field of cultural project management and cultural policy. Currently, she is participating in European Voluntary Service (EVS) Programme in Romania. Her interests are anthropology, sociology, artistic and cultural life and institutions, cultural management and policy, and many more. She has the smallest feet a girl ever had.